Published by JPLand on 05 May 2008
Lion King
So, you’ve read my in-depth review of our meal. Now brace yourself for my stellar review of the play:
Wait…scratch that. Looks like Queen Kelley has already beat me to it. Here’s her review that uses fewer words, better imagery, and a lot less nonsense than mine. Go on, read hers first….I’ll wait here….
The music and the performers were all very good, but I was most impressed with the girl (woman, lady….female) that played the role of Rafiki. (UPDATE - Her name is Phindile Mkhize and she is a native of South Africa. Apparently, she was on the original broadway soundtrack in ‘94…and understandably so.) Her ability to stay perfectly on key through some intense vocal work was simply amazing.
As far as the play goes, here are my two highlights:
After Mufasa’s death, there was a scene to deal with those in mourning. As the choir faded from their solemn chants, Rafiki, Nala, and Sarabi were left alone on stage singing their own laments. Each melody, similar to character’s grief, was unique and followed its own pattern. Amazingly, these melodies joined together and became interwoven to create a beautiful sound that echoed across the entire theater. The scene was incredibly poignant and when the lights closed out, I’m pretty sure that my wife may have let a tear or two slip away.
Early in the show, Mufasa sat with Simba and told him about the kings of the past. The song “They Live in You” was introduced and to be honest, it sounded like a regular ‘ole song to me. Fast forward to the second act. Simba was trying to come to terms with the man/lion that he should be. As he began to realize what he must do, Rafiki and Nala move into a reprise of that same song, but with the words “He Lives in You” emphasizing Mufasa’s relationship with Simba. The laments mentioned earlier started with a chorus and ended with quiet solos. This song was the opposite. It began slow, and was then filled with a chorus of voices. Rafiki went on a vocal run that I’ve rarely heard before. There’s really no way to express the goosebumps that I got during that song. Not only were the vocals stunning, but the lyrics were compelling, and the actors and effects were almost perfectly choreographed to portray that emotion. I don’t know if the original writers were aiming for an allegory, but that song could probably be performed in and number of churches and the congregation would be none-the-wiser. (Well, the lion costumes might give it away.)
So there you go…I suffered through a meal and a show with my wife. I hope that she’s aware of all the sacrifices that I make for her.
*Photos are all taken by Joan Marcus from the New York showing. I would have put some of our own pictures up, but the whole “no photography” rule was tough to get around.













